Originally hailing from China, Bella Wanwei Liu is a seasoned choreographer, dancer, and dance educator boasting over 15 years of industry expertise. She earned her degree from the esteemed Xie Jin Art Performance College of Shanghai Normal University, specialising in Performing Arts, Broadcasting, and Dance.

Bella thrives on the stage, finding joy in performance and pushing her own boundaries. Drawing from the Chinese saying that art transcends life, she brings a wealth of diverse experiences to her craft, enabling her to embrace a multitude of roles with ease. She currently serves as the Event Manager and Choreographer for the Arts and Culture Federation of Sunshine Coast.

Bella joined D.I.V.E. Theatre Collective in 2024, captivating audiences with her stunning contemporary dance and aerial performance in Amor. She is excited to continue her partnership with the multicultural collective in 2025, where she aims to further enhance the innovative storytelling that defines D.I.V.E.'s mission.

Originally from Brazil, Cesar has called Australia home since 2013, immersing himself in the performing arts as an actor, director, teacher, and sound and light designer. With a Bachelor's degree in Journalism from the University São Judas (Brazil), he brings eight years of experience in film and television production from São Paulo. As a director and filmmaker, Cesar has crafted short films, documentaries, and institutional videos.

Cesar's extensive performing arts training spans Experimental Theatre, Theatre of the Oppressed, Meyerhold’s Biomechanics, Puppetry, Physical Theatre, Viewpoints, and Butoh. His acting journey commenced in 2007 with Teatro Escola Macunaíma (Brazil), followed by working and training with renowned institutions, including Frantic Assembly (UK), Cia. de Teatro Os Satyros, Cia. Pessoal Do Faroeste (Brazil), Queensland Shakespeare Ensemble and Zen Zen Zo (Australia).

In 2017, Cesar co-founded D.I.V.E. Theatre Collective, where he currently holds the position of Artistic Director. His impressive portfolio with D.I.V.E. includes directing Identity (2025), Amor (2024), Caprichos (2022), Exodus (2021), Into the Light (2020 & 2023), Urban Twitters: Dis.connect.ed (2019), Stories of Dis.place.ment (2019) and Dis.connect.ed: A Short Documentary (2019). Cesar also manages D.I.V.E.’s inclusive 4-All TV community engagement program.

Beyond D.I.V.E., Cesar has contributed his talents to a range of theatre and screen projects, both in Australia and Brazil.

Originally from Ireland, Megan O’Hare is a performing artist. She joined D.I.V.E Theatre Collective's Ensemble in 2021 due to her shared belief in the potential of art to effect change. She believes that there is immense value in exploring the multitude of (sub)cultures and experiences existent within Australian society, particularly those that are provocative, marginalised or misunderstood.

Megan has performed in D.I.V.E.’s productions Caprichos (2022), Into the Light (2023), Amor (2024) and Identity (2025), directed by Cesar Genaro. She has trained in Butoh, Viewpoints, Biomechanics, Theatre of the Oppressed, improvisation and the Meisner technique. She is eager to expand and improve her knowledge and skills.

Megan presently works as D.I.V.E.'s Education Officer, overseeing in-school workshops and the South-East Queensland school tours of D.I.V.E.'s productions Into the Light, Amor and Identity.

Priscila Da Cunha is D.I.V.E. Theatre Collective’s co-founder and Producer. Originally from Brazil, she has resided in Australia since 2013. She serves as a Drama and English teacher at a Steiner School on the Sunshine Coast, directing and producing five full-length theatre performances annually.

Priscila holds a Master of Arts in Comparative Literature from the University of Toronto, Canada, with research interests spanning contact improvisation, physical theatre, and the intersections of literature, theatre, film, and dance. She's authored articles on Comparative Literature and edited four anthologies of Australian short stories for high school students.

With over fifteen years in the performing arts, Priscila has led workshops, performed, and produced various projects for D.I.V.E. Theatre Collective, including Identity (2025), Amor (2024), Caprichos (2022), Diver.city Inside Out (2021), Exodus (2021), Into the Light (2020 & 2023), Urban Twitters: Dis.connect.ed (2019), Stories of Dis.place.ment (2019) and Dis.connect.ed: A Short Documentary (2019). Her contributions also extend to Brazil, encompassing works with Cia. De Feitos, Cia. Les Commediens Tropicales and Inorgânicas Contemporary Dance Troupe, and the facilitation of storytelling workshops and performances in various settings.

Priscila’s training has covered Contact Improvisation (with Joerg Hassmann, Australia), Contemporary Dance (with Denise Passos, Brazil), Viewpoints (with Zen Zen Zo, Australia), Linklater Voice Training (with Queensland Shakespeare Ensemble, Australia), Chekhov Method and Rudolf Steiner’s Creative Speech (with Dawn Langman, Australia), among others, with institutions and artists worldwide.